The second prevents these files from popping up when you shuffle songs on an iOS device, or with iTunes DJ in iTunes. The former means that whenever you stop listening, iTunes or your iOS device will remember where you stopped. Enable Remember Position and Skip When Shuffling. Select them all, press Command-I, then click the Options tab. Click OK to save this information-this will let your iPod or iTunes keep your place when listening to a long file.įirst, you need to set some options for these files. One important thing to do: click on the Options tab, then, from the Remember Position pop-up menu, choose Yes. Set the genre to Audiobook or Spoken Word, and, if the disc number doesn’t show up, add it otherwise your files will be out of order after you’ve ripped all your discs. The easiest way to tag audiobooks is to put the author’s name in the Artist field and the book’s title in the Album field. Select all the tracks on the CD, then press Command-I this brings up the Info window for multiple items. Whether or not you join tracks, the next thing you need to do is tag your files. If you want to join all the files on a disc, select all its files, then choose Advanced > Join CD Tracks. The former makes it a bit easier to keep track of the files but the latter can make it easier to spot chapter and section breaks. There are two ways you can import your audiobooks depending on whether you want one file per disc, or a lot of files. Ripping Most audiobooks range from about five to a dozen discs, and each disc is generally split up into many files. (HE encoding doesn’t work on older iPods if you have an older device, try with one file to see if it works before encoding a whole book.) Then click on OK, then on OK again twice to save your changes. The former limits the frequency ranges used to those needed for voices, and the latter provides better encoding at low bit rates. Here are the ideal settings for ripping audiobooks.To get the most out of your encoding, select the Optimize For Voice and Use High Efficiency Encoding (HE) checkboxes. (Note that the above settings give you 32-kbps mono files 64 kbps is the stereo bit rate when you choose Mono, that bit rate is halved.) For most books, Mono is fine I only use Stereo for “full-cast productions,” such as plays, where several performers are spread across the soundscape. Leave the sample rate at Auto, and, from the Channels menu, choose either Stereo or Mono. For bit rate, choose 64 kbps voice needs only a small amount of data to sound good. If you want to use more detailed settings, choose Custom from the Setting pop-up menu you’ll see settings for Stereo Bit Rate, Sample Rate, and Channels.

Play audible books on mac